Writings

Catalogue introduction by Verónica Castro and Abdollah Guivian, reflecting on themes of change, temporality, and the unknown in contemporary art. This introduction considers the roles of identity and cultural memory in the face of an unpredictable future.

In this interview at the Museum of Contemporary Art, Dimitri Chulakov discusses the production of Jesus por Um Dia, a documentary following the preparation of prison inmates as they take part in the Via Crucis Easter ritual. Chulakov shares insights on the challenges and cultural nuances of bringing this powerful story to the screen.

A compelling catalogue introduction by Verónica Castro exploring the cultural and symbolic power of the palanquin within ceremonial contexts. Castro’s writing captures the palanquin’s role in expressing identity, tradition, and movement.

A scholarly examination of Huni Kuin knowledge systems, or “epistemologies”, as they intersect with ethnographic and creative filmmaking. This study highlights Yupumá as a case in participatory ethnographic cinema, blending indigenous perspectives with academic frameworks.

A bilingual songbook capturing the rich oral tradition of the Huni Kuin people, reflecting their cultural heritage and indigenous perspective. Yupumá will offer readers insight into Huni Kuin language, song, and spirituality.